Everybody digs Nicole Mitchell. They love her in sweet hometown Chicago and all the critics in New York love her, too. Heck, even we discerning types at SER have taken a shining to her. She’s the consensus top flautist in the jazz world, she’s got a new record out, Awakening, and there’s no way I’m going to ignore it. OnRead More
Post Tagged with: "Jazz"
Guitarist-composer Chris Taylor, at once, brings in familiar fusion influences like Weather Report, Pat Metheny and the Zawinul Syndicate, even while adding these fearless flashes of next-gen electronics — samples, voices, weird keyboard programming, chants, scronks, blips, scratches. It’s jam-packed with aural pokes, the kind of album where Taylor, fronting a backing group that includes keyboardist George Whitty and drummerRead More
If you’re at all familiar with jazz bassist Marc Johnson you surely know about his classic 1987 album Second Sight (by his group Bass Desires). On that record, Johnson teamed up with Peter Erskine (drums) and the phenomenal guitar duo of Bill Frisell and John Scofield
From the first honking strains of Roger Lewis’ sax on “The Treme Song,” amidst a howling group of happy singers led by David Montana and Fred Johnson Jr., the intentions of Treme Traditions are clear: Party. This album is like a street parade crammed inside of a shiny disc, courtesy of Mardi Gras Records. The Treme Brass Band, which alsoRead More
With nearly 1,800 posts under our belt, we at SER have covered a whole lot of different styles, players and instruments, but based on a cursory search, I haven’t found a single piece where a harpist is the featured musician. We now have that covered: meet Iro Haarla.
by Mark Saleski Much like those pointless negative reviews where the writer (read: attacker) has never liked the band in question, I sometimes wonder if maybe it’s just not right to go on about my favorite artists. Let’s face it, I own just about every recording Pat Metheny has ever produced.
It used to be that when we used the term “punk jazz,” we were referring to Jaco Pastorius. Let’s face it, the man was a jazz bass revolutionary.
Better known for helping shape the Blue Note Records hard bop sound as a producer in the 1960s, pianist Duke Pearson also led his own big band before succumbing to the ravages of multiple sclerosis at age 47.
Tim Kuhl’s website greets visitors with a set of simple sentences describing who he is: “Drummer+Composer,” followed by “Bandleader, Sideman, Collaborator, Noise Maker, Rocker.” Tim is succinct and up-front about describing himself, but the term that’s most telling — aside from the obvious “drummer+composer” part — is “Noise Maker
by Mark Saleski Back in the mid-1980s, the arrival on the jazz scene of a trumpeter named Wynton Marsalis marked the start of the so-called “young lions” period.