by Mark Saleski I have to purchase my Peter Brötzmann only very occasionally because it takes a while to get over the blatant intensity. Recorded at the Molde International Jazz Festival, this is really what European improvised jazz is all about. Well, maybe not all, but certainly a side of it. You know how some folks will characterize slower musicRead More
Post Tagged with: "Jazz"
by Tom Johnson This trio is basically Bill Frisell‘s home away from home, it seems. If he’s not putting out his own solo album, it seems like you can almost count on something from this trio sooner or later, where he indulges his more straight-ahead jazz tendencies. The joy in listening to a group like this, of course, is inRead More
Israeli-born guitarist Roni Ben-Hur and Brazlian-born bassist Nilson Matta head a date with percussionist Café (another Brazilian) and American drummer Victor Lewis in tow, called Mojave. While the title might conjure up images of the American Southwest, pay closer attention to the native country of both the bass player and the percussionist, because it is the rich musical heritage ofRead More
On June 14th, guitarist Pat Metheny will release What’s It All About, an all-acoustic album that’s about as far as you can get, technologically speaking, from last year’s Orchestrion.
by Mark Saleski Saxophonist Dave Rempis’ co-conspirator on drums, Frank Rosaly, lays down some solid grooves and textures. Nothing here is quite as chaotic as say, Interstellar Space, but the music isn’t exactly subdued either. Rempis displays some impressive extended technique on tunes like “How to Cross When Bridges Are Out,” with Rosaly providing both implied rhythmic structure as wellRead More
There is this deeply personal texture to A Lifetime, a redemptive 10-track journey through love’s rocky terrain. French jazz-pop singer-songwriter Dawn Harden wrote or co-wrote, with pianist Patrick Pernet, all but one of the songs, giving the record a lasting resonance. She starts with “Traces,” a lovelorn tale of a lost passion presented in a trembling, almost confidential way. It’sRead More
Since Tom Cora’s tragic passing in 1998, there might not have been a more adventurous cellist on this planet than Erik Friedlander.
by Mark Saleski I’m not one to quote Wikipedia, but this time around it makes perfect sense: “Smooth jazz is a sub-genre of jazz which is heavily influenced by R&B, funk, rock, and pop music styles (separately, or, in any combination).” This is an interesting definition because it highlights the point of contention: Is smooth jazz actually jazz? For theRead More
by Mark Saleski Normally, I’m not a particularly skeptical person. But when I see things in album credits like “hair,” “makeup,” and “dresses,” it’s tough to not tighten up a little. The good news is that Leonhart and Escoffery can bring it. She has a voice that manages to seem almost crystalline while retaining all sorts of texture. A perfectRead More
In most big bands, the guitarist functions as nothing more than a member of an expanded rhythm section — and for a while it seems like Richard Nelson (even though it’s his band, and all) had fallen into the same role on his forthcoming album