For ‘Oscalypso’, Erik Friedlander makes the case for cello as a lead jazz instrument the same way his hero Oscar Pettiford once did.
Post Tagged with: "Erik Friedlander"
S. Victor Aaron’s Best of 2014 (Part 4 of 4, Fusion Jazz): Nels Cline Singers, Jaco Pastorius, Elizabeth Shepherd
S. Victor Aaron picks the best of 2014’s fusion jazz, including Nels Cline Singers, Jaco Pastorius, Elizabeth Shepherd and others.
The unexpected solitude the master cellist found from the five day loss of power in lower Manhattan from Hurricane Sandy gave him the perspective and focus that provided the material for his bluegrass-tinged combo’s second release, Nighthawks.
If you pay attention to only certain parts of the culture, it wouldn’t be hard to get the impression that the entire world is going straight to hell.
Only a year after celebrating fifty years on Earth, master cellist Erik Friedlander faced the premature departure from Earth of his wife, choreographer and writer Lynn Shapiro.
Emilio Teubal’s third album (his first for Brooklyn Jazz Underground Records) is, like the prior two, a record that draws on his Argentinian roots. But this pianist, composer and bandleader doesn’t make Musica Para Un Dragon Dormido another collection of self-described “Argentinian jazz.”
As a jazz cellist, you may not think you’ve heard Friedlander — but you’ve heard this dude and probably didn’t know it, I would bet.
Since Tom Cora’s tragic passing in 1998, there might not have been a more adventurous cellist on this planet than Erik Friedlander.
by S. Victor Aaron Cello virtuoso Erik Friedlander must have found a second wind at 50 years old because yesterday he released his second album of all new material as many months. The album, incidentally, is called Fifty: 50 Miniatures For Improvising Quintet and in Friedlander’s typically atypical fashion, it introduces a concept he hadn’t tried on any album heRead More
Earlier this week, Erik Friedlander released his 12th album, in his fiftieth year on earth. Those facts may not be so important to you, but the music that marks both events just might. Especially if you like the army of sounds, both familiar and strange, that Friedlander wrests from a cello. Alchemy, as he calls this new record, is reallyRead More