Arnel Pineda has recorded two albums of original music with Journey, dating back to 2008′s Revelation. Still, the bulk of the band’s legacy — and his performances — are rooted in the Steve Perry era.

In the approximately 40 years since I bought my first long-playing vinyl record-type album thing, a whole lot has changed about the way the average person consumes music. This is pretty obvious stuff.

Stevie Nicks, discussing her turbulent relationship inside and outside of Fleetwood Mac with Lindsey Buckingham, says: “We’re getting along probably better than we ever have.” There’s a reason for that.

Roy Thomas Baker, best known for producing Queen and Journey, is collaborating with Yes on its new studio album. Members of the group have uploaded photographs from the sessions — and a neon-shoed Baker appears in several.

Paul Rodgers’ trip to Memphis to record his forthcoming Stax-stuffed Royal Sessions album quickly took on all of the religious overtones of a pilgrimage. That’s how strong his connection is with these R&B classics.

Roger McGuinn doesn’t have a problem with people calling the early Byrds efforts “folk rock.” Just don’t label later experiments like “Eight Miles High” as “psychedelic.” There’s more to them than that.

For years, Stevie Nicks has kept a treasured 1970-era photograph framed and with her on the road, getting untold moments of inspiration while touring both as a solo artist and with Fleetwood Mac. She’s pictured with George Harrison

Ian Tyson, the Canadian folk singer, tells George Stroumboulopoulos that he is pretty sure he gave Bob Dylan his first puff of pot.

It took a little talent, and a lot of luck, for Pink Floyd’s “Great Gig in the Sky” to come together.

Gregg Rolie, in the space between two albums — 1977′s Next and 1978′s Infinity — went from fronting Journey to playing a secondary vocal role. Credit, and he says some blame, goes to the arrival of Steve Perry.