Post Tagged with: "Whack Jazz"

Vinyl

Kikanju Baku and Citizens of Nowhere – ‘No Justice – Justification’ and ‘Revolt Against State Stimulated Stockholm Syndrome’ (2019)

Listening to his own work like ‘No Justice – Justification’ and ‘Revolt Against State Stimulated Stockholm Syndrome,’ it becomes crystal clear why so much better-known talent like to be around him.

Vinyl

Gorilla Mask – ‘Brain Drain’ (2019)

With their fourth album ‘Brain Drain’, Gorilla Mask is often in your face. That said, their tactics with rhythm and harmony remain an integral part of their attack, too.

Vinyl

Reut Regev’s R*Time – ‘Keep Winning’ (2019)

Avant garde jazz could use more joy and wit, which is Reut Regev R*Time’s secret weapon for making you want to listen.

Vinyl

Jaimie Branch – ‘Fly or Die II: bird dogs of paradise’ (2019)

Divergent, fearless, unpredictable and vulnerable, Jaimie Branch has made good on the great promise of ‘Fly or Die’ by soaring again on ‘Fly or Die II: bird dogs of paradise.’

Vinyl

Ivo Perelman and Matthew Shipp – ‘Efflorescence, Volume 1’ (2019)

Hiatus? What hiatus? The Ivo Perelman / Matthew Shipp creation train keeps on rolling.

Vinyl

Rich Halley, with the Matthew Shipp Trio – ‘Terra Incognita’ (2019)

Rich Halley’s encounter with the Matthew Shipp Trio is no East Coast meets West Coast kind of thing, just a meeting of great minds that think alike.

Vinyl

Wertico Cain and Gray – ‘Without Compromise’ (2019)

Nothing was spared in making Wertico Cain and Gray’s seventh collaboration a rich listening and viewing experience.

Vinyl

Michael Gregory Jackson Clarity Quartet – ‘Whenufindituwillknow’ (2019)

The Michael Gregory Jackson Clarity Quartet’s ‘Whenufindituwillknow’ pulls together the guitarist’s many musical threads into a richly diverse basket of songs.

Vinyl

Bloor – ‘Drolleries’ (2019)

Sam Weinberg joins with refugees from Little Women to form the new trio Bloor, and it’s wild, acerbic and even a bit mathematical.

Vinyl

Ivo Perelman, with Mat Maneri, Nate Wooley and Matthew Shipp – ‘Strings 4’ (2019)

Once again, Ivo Perelman follows a path that the listener has never gone down before – or the musicians, for that matter.