by Mark Saleski The area of electro-acoustic music encompasses so many different sounds and constructions that the label itself is nearly meaningless. As the name implies, it is music created with both acoustic and electronic instruments. On my list of favorites are the Anthony Braxton/Richard Teitelbaum collaboration featuring synthesizers andRead More

Each of the year’s four Satoko Fujii records made our Best Of 2010 List. by Pico With the more accessible types of jazz out of the way in Part 3 and Part 4, this Best of 2010 series concludes with the least accessible stuff, the experimental and avant garde stuffRead More

As delectable as Stars Have Shapes by the Exploding Star Orchestra has been, I still can’t forget Rob Mazurek’s other 2010 project, Boca Negra, performed by only him and percussionist, vibrist and mbira player Chad Taylor. Together, they make up the Chicago Underground Duo, which you can think of asRead More

Dirty Baby wasn’t Nels Cline’s first 2010 release and Initiate wasn’t even the first Nels Cline Singers 2010 release. That came on March 1, when the Singers got together with the free jazz saxophone quartet Rova to collaborate on an album recorded in 2008, The Celestial Septet. Though both bandsRead More

by S. Victor Aaron I’ve always had a hard time distinguishing West Coast jazz from East Coast jazz by ear. I mean. I know it’s supposed to be a more smoothed-out “cooler” variant of the vigorous, sometimes jarring jazz that comes out of NYC and I know that guys likeRead More

by S. Victor Aaron After all the whack jazz winners I’ve heard from Engine Studios, I’ve come to expect nothing but excellence whenever I pop in a CD from that label for the first time, and I’ve yet to be disappointed. Label head and producer Steven Walcott signs up creative,Read More

by S. Victor Aaron Like Jason Stein, Gutbucket co-founder Ken Thomson is a bass clarinetist — he’s an alto saxophonist, too — and both like to play along the margins of jazz, but Thomson’s conception of music freely spills over into other styles as well. His latest project, Ken ThomsonRead More

by Mark Saleski Time to return to one of my favorite topics: Why do I like that? Have you ever engaged in this kind of self-debate? There are all sorts of ways to play. There’s the Top-40 angle: “Come On Eileen…Bawitdaba!? Hmmm…I better not tell anybody,” the Angle of PureRead More

by S. Victor Aaron Since at least the fifties, many a jazz musician have made records of their live gigs at festivals. Some of the largest and most enduring ones have been a favorite location for cutting a record: Newport, Montreaux, Monterrey, North Sea and so on. And then there’sRead More

by S. Victor Aaron I don’t pay a great deal of attention to what other jazz critics say about records as I probably should; chalk it up to laziness, I suppose. But even my lazy ass couldn’t help but notice all the interest in media circles buzzing around guitarist MaryRead More