With the new ’57th and 9th,’ Sting makes a welcome return to a more rock-rooted style after a period away from the genre.

The 1980s were marked by benefit extravaganzas, though oftentimes — whatever their noble intentions — they boasted both dubious musical results and unclear benefits. Amnesty International events were different. You May Also Like: How Bruce Springsteen’s ‘Tunnel of Love’ Dug Deeply to Find Hard Truths Reevaluating Bruce Springsteen’s ‘The Wild,Read More

Steve Nieve is likely an unknown quantity to anyone other than Elvis Costello fans. You May Also Like: Elvis Costello’s ‘The Delivery Man’ Once Again Resisted the Urge to Look Back

The shame of it, really, is that Sting’s still-resonant pop smarts are often subsumed on The Last Ship, his first proper album in a decade, by its High Concept beginnings as a theatrical production. You May Also Like: Sting – 57th and 9th (2016) How Laura Branigan’s Passion and EmotionRead More

The last time Sting approached his familial history amidst England’s rusting ship-building days of yore, it was on the occasion of his father’s death. He returns now with larger themes You May Also Like: Swifty’s Bazaar, “Shopping Bug” from Everything You Hear Is For Sale (2017): One Track Mind StingRead More

Police guitarist Andy Summers says he was careful not to paint too rosy a picture of the band’s often-tumultuous rise to fame in his new documentary “Can’t Stand Losing You,” but that doesn’t mean he was trying to take frontman Sting to task. You May Also Like: The Police –Read More

Stream Stevie Wonder’s all-star concert in celebration of the UN’s 67th anniversary, which will feature special guests Paul Simon and Sting, as well as a number of other celebrities. You May Also Like: Martin Luther King Songs by Stevie Wonder, Queen + U2, Others: Gimme Five How ‘Paul Simon’ SetRead More