Ambitious and sprawling, Baroness’ double album Yellow and Green is never pompous or packed. The record is one of their best, demonstrating an audacious step forward into the domain of creativity and damn good songwriting. You May Also Like: Chicago + Al Green, “Tired of Being Alone” (1973): Saturdays inRead More

A new interview with the Financial Times of London — his first sitdown with a print journalist in seven years — finds Robert Fripp railing against the music industry. You May Also Like: No related posts.

Ray Wilson, who fronted a Phil Collins-less edition of Genesis in the late 1990s, says his favorite era of the band was, in fact, the early Collins years. You May Also Like: No related posts.

Beverly Paterson talks to co-founder George Bunnell about the origins of the Strawberry Alarm Clock – and why they finally reunited again.

Offbeat new music from John Frusciante of Red Hot Chili Pepper’s fame and a new collaboration between Frank Zappa alum Mike Keneally and XTC’s Andy Partridge ranked among the month’s big draws. You May Also Like: Mike Keneally, “Draconian Blump” from ‘Nonkertompf’ (1999): One Track Mind How Mike Keneally’s ComebackRead More

There was the Peter Gabriel era, the Phil Collins-led edition, and then that Ray Wilson album. We’re not getting into which one was better — only when Genesis didn’t quite live up to our expectations. You May Also Like: No related posts.

Only perhaps on this site could we query folks for Desert Island Live Discs, and find a six-way tie among the responses between the Who, Bill Evans, Little Feat, Kiss, Warren Zevon and the Talking Heads. The Who and Evans, officially, edged into a shared top spot — since bothRead More

You wonder if Blind Lemon Jefferson saw anything like this coming: A set of double-barrelled, perfectly titled blues-rock (emphasis on the “rock”) reworkings of classic 1920s blues with brawny sense of modern menace. You May Also Like: Richard Turgeon, “Fire Drill” (2021): One Track Mind

> *** STEELY DAN SUNDAY INDEX *** We all like to think that Steely Dan’s music is distinguished by sly lyrics, complex harmonies, elite musicianship and sharp production. While those attributes might be found in nearly every Steely Dan song, the most instantly recognizable feature is not any of thoseRead More

This is music made for summer, for never-ending afternoon dreamscapes followed by brilliant bursts of color as the sun dives behind the dunes. You May Also Like: Maroon 5 – Red Pill Blues (2017)