The Band, “Jemima Surrender” from ‘The Band’ (1969): Across the Great Divide
A lip-smacking, knuckle-dragging hoot, The Band’s “Jemima Surrender” won’t win any awards for cosmopolitan thinking, but it couldn’t be more fun.
A lip-smacking, knuckle-dragging hoot, The Band’s “Jemima Surrender” won’t win any awards for cosmopolitan thinking, but it couldn’t be more fun.
The Band’s Richard Manuel doesn’t sing this as if telling the story of a man walled off by loneliness; he lives and breathes every bruising syllable.
“‘Big Pink’ was Sunday morning,” as Robbie Robertson once adroitly put it, “and ‘The Band’ Saturday night.”
Conveyed with breakable beauty by Richard Manuel, “I Shall Be Released” concludes the Band’s Music from Big Pink like a moment in miniature.
The Band’s “Lonesome Suzie” is a searcher’s tale about trying to find love, and then finally settling with what you’ve got.
In some ways, “We Can Talk” is also another perfect distillation of what made – what makes – the Band such an endlessly fascinating study.
If the Band’s “Tears of Rage” showed how desperately lonesome he could be, “In a Station” finds Richard Manuel opening up his whole heart.
“Tears of Rage” quickly established the Band as something entirely different, even before Richard Manuel’s devastating vocal began.
“Katie’s Been Gone” was the first in what would become a series of forlorn triumphs from the Band’s Richard Manuel.
You hear the Band taking the first step in what would become an endlessly intriguing journey.