NICK DERISO: “I’m Having Fun” arrives as advertised. That is to say, it’s a bubbly, rollicking party record, featuring King Curtis — the Fort Worth native was one of the last of the great R&B saxists — shaking a bandstand to its foundations while keyboardist Champion Jack Dupree lays inRead More

Scott LaFaro, Bill Evans and Paul Motian (photo: Steve Schapiro)What can be said about Bill Evans’ classic Sunday At The Village Vanguard that hadn’t already been said so many times over? If you’re new to jazz, here’s what you need to know: it is the beginning and the end ofRead More

by Nick DeRiso Herbie Hancock almost didn’t pull off “The New Standard.” This High Concept offering from 1996 found Hancock, with varying degrees of success, adapting songs by popular artists like Peter Gabriel, The Eagles’ Don Henley, Paul Simon, The Beatles and Prince. You had to give him credit —Read More

As we like to note here so many times, there’s a lot of Miles Davis sidemen who have gone on to have notable careers of their own. Just among keyboardists, you’ve got your Bill Evans, Wynton Kelly, Herbie Hancock, Keith Jarrett and Chick Corea. There’s another fine piano player whoRead More

by S. Victor Aaron Last year we gave a testimonial to a new small-group Carla Bley album that featured a uber-talented Italian trumpeter by the name of Paolo Fresu. But as good as Fresu is, he’s not yet the king of Italian trumpeters. That’s because Enrico Rava is still wearingRead More

There was, for a pairing of musicians so closely associated with other forms, an irrepressible blues feel to 1961’s “Bags Meets Wes,” reissued this year as part of the Keepnews Collection. That makes a chance meeting between Milt Jackson (longtime member of the complex, often formal Modern Jazz Quartet) andRead More

R.L. Burnside’s ‘First Recordings’ was the result of a neighbor’s recommendation: “I know who that be.”

It must be tough to make a name for yourself as the little brother of such a towering figure in jazz as alto sax great Julian ‘Cannonball’ Adderley. Nat Adderley never did quite reach the legend status that his elder sibling did, but did manage to gain acclaim as aRead More

To take the old-school harmonic brilliance of Duke Ellington into the realm of John Coltane — soon to establish himself as the picture of avant garde, stimulatingly free, out there in such a way as to legitimately draw comparisons with the spiritual — was, you imagine, a challenge of equalRead More

NICK DERISO: This Smithsonian Folkways release, issued today, is a hot-dawg compilation that sets up both as primer for the new-to-this and reminder for the been-there-done-that crowd. A remarkably deep catalogue has helped the label continue for years with a series of myth-confirming sets. “Classic Piano Blues” is no different,Read More