R.E.M. – ‘In Time: The Best of R.E.M. 1988–2003’ (2003)
The early Warner Bros.-focused ‘In Time: The Best of R.E.M. 1988–2003’ does a great job of exploring a period I refer to as the band’s Adult Years.
The early Warner Bros.-focused ‘In Time: The Best of R.E.M. 1988–2003’ does a great job of exploring a period I refer to as the band’s Adult Years.
by S. Victor Aaron Since very early on we’ve eagerly pounced on records that re-image that dense, impenetrable period of Miles Davis between about 1969 and 1975 when he first defined fusion jazz and then kept redefining it again and again. This is music that doesn’t come easily to mostRead More
Ginger Baker’s all-too-brief ‘Horses & Trees’ was fusion in the most complete sense of the word.
“Am I Blue” is a largely forgotten argument for Ray Charles’ striking ability to synthesize jazz, blues, country and gospel into music with a broader appeal. That’s saying something, considering that it appears on The Genius of Ray Charles, a half-big band/half-strings Atlantic release that became one of his mostRead More
by Nick DeRiso Though not the hoped-for third-act triumph, Ella and Oscar still has its enduring charms. See, Oscar Peterson, a hard-banging piano genius as bluesy as he was inventive, should have made the perfect foil for Ella Fitzgerald on this stripped-down date, set for reissue on March 15 byRead More
Howlin’ Wolf had no right to rock it like this. Not after what he had been through.
by Nick DeRiso It takes a complex, genre-bending singer to fend off the distracting brilliance of fabled guitar-playing Danny Gatton. Maine-based Steve Erwin, who made his name playing around Washington, D.C., pulls it off on the newly re-released Was It Like This. Originally recorded in December 1988 with Gatton, theRead More
This world of digital sound can be quite tricky. The original line about CDs was that they would provide “perfect sound forever.” Yeah, sure. In their haste to get product to market, the early mastering jobs produced less than stellar results. In the intervening years, we’ve learned a lot aboutRead More
by Mark Saleski Springsteen fans have been waiting years for the 30th anniversary release of Darkness On The Edge Of Town. Waiting, and waiting, and… And then the anniversary passed, with rumours and speculation fueled by smokes signals emanating from Camp Springsteen about how the set was “nearly complete.” OfRead More
Paul McCartney’s “Band on the Run” still represents the creative highpoint of his career away from the Beatles, nearly four decades later. So, to paraphrase a tune here, what’s the use in repackaging the thing again? Well, a brilliant remaster of the original tapes, which have always been a littleRead More