Mike Tiano shares personal memories of the late Chris Squire, as well as a classic interview that sheds new light on the Yes stalwart’s towering legacy.

Released on July 24, 1976, ‘Olias of Sunhillow’ makes clear why Jon Anderson soon turned to solo projects, and why Yes would ultimately move on, too.

Yes’ “Sweet Dreams” may have a decidedly non-progressive rock feel, but it is one of the stronger compositions on 1970’s ‘Time and a Word.’

After a pair of largely meditative albums, David Gilmour sounds as if he’s just come fully awake on the lithe and propulsive “Rattle That Lock.”

With “Idiom,” the latest song for Adrian Belew’s Flux app, you’re reminded of his narrative and musical inventiveness – but also his underrated humor.

GTR debuted in July 1986 with a lineup led by prog legends Steve Hackett and Steve Howe. What could go wrong? As Hackett tells us, almost everything.

Preston Frazier caught up with Lucas Lee to talk about ‘Normalcy Bias,’ plans for a follow up, his musical beginnings and albums that inspired him.

Talk about a buzz kill. Yes’ cover of Stephen Stills’ “Everydays,” though situated between two of their best early songs, just doesn’t work.

‘Hydra,’ Toto’s second album, confounded critics and fans alike upon its release in October 1979, but it has aged well.

Alan Parsons Project’s prophetic ‘I Robot,’ issued this month in 1977, focused on the uneasy relationship between human and machine.