How Rush Finished at the Top of Their Game With ‘Clockwork Angels’
Sadly, ‘Clockwork Angels’ arrived 10 years ago as their final studio effort. But this was no mere shelf-filler: This was pure Rush.
Sadly, ‘Clockwork Angels’ arrived 10 years ago as their final studio effort. But this was no mere shelf-filler: This was pure Rush.
Robert Berry’s 3.2 performance at ProgStock finds a comfortable home among the concept albums, side-long songs and quirky time signatures of old.
Aristocrats, David Binney and Ben Craven are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.
Rush shared a unified, deeply uplifting message 15 years ago this week to tie an album of loose ends together.
Ben Craven stopped in for a Something Else! Sitdown with Preston Frazier to discuss constructing his new album ‘Monsters From the Id.’
Mike Tiano explores how a subsequent update on the title track of Yes’ masterpiece ‘Close to the Edge’ happened – and why it matters.
Spencer Elliott’s ‘SE3’ journeys into different genres, mixes things up then transforms into music that sounds familiar yet has new vibes.
Jimmy Haslip’s taste runs the gamut, from jazz to rock and even to long-ago pop stars. So getting him to narrow things down was quite a challenge.
Ben Craven has created a great big progressive-rock epic, smack dab in the midst of our very modern, rather silly ‘Masked Singer’ world.
Joe Bailey joins Preston Frazier to discuss his dark and violent new H.H. Holmes-themed studio project, ‘Devil in the White City.’