Initially, it might have been difficult to imagine a three-minute acoustic Yes track having such an impact. Then Steve Howe begins playing “Clap.”

Salvador Santana’s “Till The Mornin’ Light” is one of the more accessible tracks on an album that boldly moves from funk to reggae to rap.

“White Sister,” a stand-out moment from Toto’s sophomore album ‘Hydra,’ combines hard-rock strut and progressive rock obliqueness.

An expanded reissue of GTR’s self-titled 1986 debut finds Steve Hackett and Steve Howe making the surprising choice to take on a Yes classic.

Believed to be Yes’ first anti-war song, “Yours is No Disgrace” features some of Jon Anderson’s most visual, yet compact lyrics.

Toto moves into solid R&B/funk territory with “Mama,” a David Paich co-write that finds Bobby Kimball delivering his best vocal on ‘Hydra.’

This Yes ballad has displayed a striking durability since becoming the unlikely but quite effective closer on 1970’s ‘Time and a Word.’

An accomplished jazz singer, Carol Duboc flexes her R&B chops as well as her songwriting skill on this self-penned 10-song album.

Toto’s “All Us Boys” starts side two of Hydra by throwing all of the previous themes out the window. It only gets more confounding.

My favorite track from Michael Sherwood and Christian Nesmith’s ‘Groovy Lemon Pie’ is the decidedly naughty “Sally’s Ass.” At least, this week.