Armando Perez, of Esso Afrojam Funkbeat: Something Else! Interview
Armando Perez discusses the new project by the Chicago-based funk band Esso Afrojam Funkbeat, and how the issues facing immigrants shape their work.
Armando Perez discusses the new project by the Chicago-based funk band Esso Afrojam Funkbeat, and how the issues facing immigrants shape their work.
“Angel Don’t Cry” should have been the leadoff single from 1984’s ‘Isolation,’ showcasing Toto’s new lead singer.
The only downside on Chicago’s “Sing a Mean Tune Kid” is its abrupt ending. But I guess I shouldn’t be too greedy.
“To Be Over,” the closing track on ‘Relayer,’ demonstrates the creative high that Yes was on in 1974.
A rebuilt lineup of Kansas recalls their past, even as they show tremendous growth, on an advance track from the band’s first new album in 16 years.
“Stranger in Town” was written by Toto’s David Paich and Jeff Porcaro, who also composed the smash hit “Africa.” But it couldn’t be more different.
This is the closest Yes gets to sounding like the jazz-fusion of Mahavishnu Orchestra, rather than simply the world’s greatest progressive rock band.
Lyrically direct yet with a playful turn on the word “lion,” this Fergie Frederiksen-sung Toto song is sharp, funky and precise.
Yes sounded looser and more passionate than ever, even as the band lost another key member ahead of 1974’s ‘Relayer.’
Toto should have been on top of the world after the blockbuster ‘Toto IV.’ Instead, their follow up ‘Isolation’ found the band in a state of flux.