Why Keith Jarrett’s Reunion With Charlie Haden on ‘Jasmine’ Was So Important
Released 10 years ago today, this intimate LP recalled Keith Jarrett’s overlooked ‘The Melody at Night, With You’ – but with one key difference: Charlie Haden.
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Curious About the Ever-Unique James ‘Blood’ Ulmer? Here’s Where to Start
Released 10 years ago today, ‘In and Out’ visited all the touch points that make James ‘Blood’ Ulmer so complex and interesting.
Why Bruce Dickinson’s ‘Tattooed Millionaire’ Keeps Revealing New Layers
Released 30 years ago this week, ‘Tattooed Millionaire’ gave us the chance to learn a little more about Bruce Dickinson’s quirky personality.
On the Joy, and the Pain, of Pete Townshend’s ‘Empty Glass’
Released 40 years ago this month, Pete Townshend’s ‘Empty Glass’ was so intense and bittersweet that, for a while, I didn’t have the strength to revisit it.
How Peter Frampton Reaffirmed His Legend on ‘Thank You Mr. Churchill’
Peter Frampton returned to bread-and-butter straight-ahead rock 10 years ago today on ‘Thank You Mr. Churchill.’ It may as well have been 1976 all over again.
How Anders Osborne Came Into His Own With ‘American Patchwork’
Released a decade ago this week, Anders Osborne’s ‘American Patchwork’ showcased both his rocking and songwriter sides.
Roky Erickson’s Final Triumph of the Human Spirit on ‘True Love Cast Out All Evil’
Released a decade ago this week, ‘True Love Cast Out All Evil’ stands as Roky Erickson’s last heartfelt invitation back to a career often ofter looked.
Trombone Shorty Raced Beyond Genres on Transcendent ‘Backatown’
Trombone Shorty’s tenure as one of New Orleans’ main music ambassadors began 10 years ago today with the release of ‘Backatown.’
How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus
Issued 10 years ago this week, the John Coltrane-inspired ‘To the One’ showed there was still a lot of artistic life left in fusion icon John McLaughlin.
Why Stanton Moore’s ‘Groove Alchemy’ Was His Best Trio Record Yet
Released 10 years ago today, ‘Groove Academy’ featured a new twist on Stanton Moore’s regular collaborations with Hammond B-3 and guitar.
