Why R.E.M.’s ‘Part Lies, Part Heart, Part Truth, Part Garbage’ Remains Definitive
R.E.M.’s reflective and unconventional ‘Part Lies, Part Heart, Part Truth, Part Garbage’ arrived 10 years ago today as a sort-of concept greatest-hits set.
R.E.M.’s reflective and unconventional ‘Part Lies, Part Heart, Part Truth, Part Garbage’ arrived 10 years ago today as a sort-of concept greatest-hits set.
Released 15 years ago this week, J.J. Cale and Eric Clapton’s ‘The Road to Escondido’ was the kind of record I would not have “gotten” in my teens.
Released 35 years ago today, ‘Menlove Ave’ contains unvarnished demos and other miscellaneous musings cut by John Lennon during mid-’70s sessions.
Before ‘One More Drifter’ arrived 15 years ago today, I couldn’t have imagined that Aimee Mann would do a Christmas album – or that I would love it so much.
Released 15 years ago this week, the Who’s ‘Endless Wire’ spent some well-deserved time as a more fitting finish than the somewhat-sour ‘It’s Hard.’
‘Trance-Fusion’ arrived 15 years ago today, offering no traditional structures, no choruses, and few repeated elements. It was classic Frank Zappa.
Released 10 years ago today, ‘Bad As Me’ delivered a set of short but focused songs that spanned a wide range of Tom Waits-isms, both old and new.
This compilation arrived 10 years ago today with few surprises for diehard Judas Priest fans. The intriguing part was who chose which song – and why.
You may not immediately recognize the name. But David Lawrence Atkins is, by way of his nom de plume Dave Curtiss – actually a classic-rock footnote icon.
A key track from Savatage’s ‘Streets: A Rock Opera,’ released 30 years ago this week, made all the difference in the world for one troubled fan.