The only reason to return to the visceral hysterics of ‘The Texas Chainsaw Massacre’ is that Tobe Hooper’s film transcends into a kind of poetics of evil.

With ‘Midnight Crisp,’ trumpet ace Takuya Kuroda once again creates music that makes new converts to jazz from the young and gives long-time jazzheads a fresh new perspective on an old genre.

Remember when Led Zeppelin’s “Stairway to Heaven” was fresh to you? That’s how it felt 10 years ago today on ‘Celebration Day.’

Michael Salvatori’s ‘Waiting For Autumn’ will appeal to lovers of Mike Rutherford’s ‘Smallcreep’s Day’ and the more acoustic music from Anthony Phillips.

Television has offered me the opportunity to discover a batch of cool songs from the likes of Tame Impala, Junip, Library Voices and others.

Radiohead self-released ‘In Rainbows’ 15 years ago this week after an annoying promo campaign that nearly ruined the album for me.

John Escreet’s first trio album ‘Seismic Shift’ is that rare record where both massive chops and innovative harmonic ideas both come in spades.

Country songs were seldom this brazen, especially those recorded by its female stars – and many radio stations banned Loretta Lynn’s “The Pill.”

Albums like Bruce Springsteen’s ‘Tunnel of Love,’ released 35 years ago this week, are the dark but needed respites before his E Street Band roars back to life.

Fun, convincing and powerful, Susie Blue and the Lonesome Fellas make Halloween – or at least Halloween-inspired music – bearable for me.