A key figure argues that Pink Floyd’s ‘The Endless River’ might never have been completed without Nick Mason’s presence.

Obert Davis and the Chicago Jazz Philharmonic manage to be faithful to Miles Davis’ original ‘Sketches of Spain,’ yet take it to new heights.

Eric Clapton presents himself for the first time not as guitar god, but as bone-deep soul singer.

Kenny Garrett joined David Greenberg for a discussion on carrying the spirit of John Coltrane, and taking his audience on a journey.

Here’s our review of David Bowie’s “‘Tis A Pity She Was A Whore,” the second of two new songs to be included on a forthcoming retrospective.

‘Red’ establishes Rik Wright’s Fundamental Forces as a hard-to-categorize jazz force to be reckoned with.

This is the post-Roger Waters Pink Floyd album that David Gilmour should have made in the first place — one that reflects his own strengths.

With everything that’s gone on, the idea of new music — any new music — from Jethro Tull has to be greeted with unbridled jubilation.

John Oates co-wrote a number of Hall and Oates’ biggest hits. But when it came to taking the mic, he says Daryl Hall’s voice changed everything.

S. Victor Aaron picks five standout Steely Dan ballads.