Robben Ford brings his usual canny sense of craft to this collaboration with Warren Haynes, even as he — once again — more than holds his own.

Robert Lamm and Chicago released ‘XXXVI: Now’ last summer, marking their initial new studio recording since ‘Chicago XXX’ in 2006.

Always the perfect foil, Roger Daltrey completely inhabited Pete Townshend’s lyric on 1985’s “After the Fire,” broiling it in searing emotion.

Eliane Elias is routinely connected with her Brazilian roots but, the truth is, “Brasil” begins her first full-length recording from back home since 1981.

When Brian May peers over at Adam Lambert on stage with Queen, he sees someone making a transformational journey similar to Freddie Mercury’s.

Remembering lesser-known sides from Muddy Waters harpist Little Walter, who hurtled his instrument forward before dying today in 1968.

A long-awaited new Jimmy Page album is being promised. Until then, we’re left with table scraps from a feast that’s somehow never been served.

Steve Cropper’s life-long success as a sideman, songwriter and producer hasn’t come from spending endless hours in the woodshed. In fact, far from it.

Aram Bajakian consistently finds inspiration for his music from places few or no one else thinks to look. This time, he’s making a new soundtrack for an old, classic film made in the former Soviet Union.

You can’t dig too deeply into blues, as Steve Earle is doing these days, without a teeth-splintering clang of your shovel against Robert Johnson’s legend.