Alex LoRe’s ‘Evening Will Find Itself’ a set of musical chapters that likewise stretches modernist jazz to the frontiers of what is possible.

Steely Dan stalwart Donald Fagen’s second solo album ‘Kamakiriad’ arrived 30 years ago as a somewhat-overlooked testament to creative genius.

Illegal Crowns’ new album ‘Unclosing’ is maximal jazz from a band full of advanced composers and prodigious improvisers.

Witch’s long-awaited ‘Zango’ is a lovely and melodic resurrection that prays, thankfully, with the passion of an always generous universal soul.

On her latest excursion as a leader, ‘The Glass Hours,’ elite bassist Linda May Han Oh does everything to burnish her reputation as a complete artist.

The Guido Spannocchi Quartet’s ‘Live at Porgy & Bess Vienna’ brings forth the full impact of performance and reciprocity between musicians.

Rob Meany joins Preston Frazier to discuss Terramara’s new single, “Beautiful Circles,” Terramara’s trio of earlier albums and his offbeat solo project, ‘Ferris Wheels Unbound.’

By expanding his band into an orchestra for ‘The Other One,’ Henry Threadgill demonstrated that his deviceful musical ideas are not only scalable, but eminently enduring.

Rickie Lee Jones, Alexis Evans, Shawn Maxwell and others are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

‘The Tormato Story’ by Yes Music Podcast creator Kevin Mulryne is a well-researched and dynamic read focusing on Yes’ controversial 1978 LP.