Cheryl Pawelski spent 17 years saving great music from irretrievable oblivion for ‘Written in Their Soul: The Stax Songwriter Demos.’ It was time well spent.

Pat Metheny produces a solid set of intimate, heartfelt numbers, reminding us that decades later, there’s no guitarist who delivers those better.

With Sunna Gunnlaugs’ latest release ‘Becoming,’ the art of the trio is alive and well under her leadership.

As he had done with Wayne Shorter’s and Miles Davis’ music, Denny Zeitlin covers the songs of George Gershwin with imagination, passion and a deeply personal touch.

Black Sabbath called it a career 10 years ago with ’13,’ an album that mixed and matched sounds from every one of their classic eras.

Stylistic influences aside, Jim White’s ‘(The Mysterious Tale of How I Shouted) Wrong-Eyed Jesus!’ is honest, original, un-glossed country at its best.

With a little help from his friends in Toto, Steve Lukather has produced one of the best solo works of his stellar career.

Michael Formanek is once again leading a high-powered quartet, and ‘As Things Do’ is as fresh, thoughtful and vigorous as anything he’s ever done.

Here’s a look back at songs by John Barry, Imagine Dragons and John Wetton – both with King Crimson and as a solo artist – that stir my emotions.

The Claudio Scolari Project’s ‘Intermission’ is a collective leap of faith, and these guys positively thrive in it.