Since it arrived on 1998’s ‘Chicago XXV,’ this update of “Little Drummer Boy” has grown to become a personal favorite – and, in my opinion, the definitive version.

Mike Tiano makes a new argument for Yes’ long-overdue induction into the Rock and Roll Hall of Fame.

Preston Frazier offers his thoughts on the best reissues and box sets from 2016, with two special honorable mentions.

“Madrigal” may be the only track on Yes’ disappointing 1978 album ‘Tormato’ which ends too soon.

Ivo Perelman liberally mixes and matches his improv trios for his ‘Art of the Improv Trio’ series and maintains his high standards for free jazz all the same.

The Beatles may have been in their final stages, but “Don’t Let Me Down” exemplifies how they could ultimately work together to create powerful songs.

In the battle between the 1400’s and the 2000’s, art in the form of uniquely inspired music wins.

Chicago guitarist Keith Howland added his first lead vocal to one of five new tracks included on 2003’s ‘What’s It Gonna Be, Santa?’

Greg Lake was recording Emerson Lake and Palmer’s “Lucky Man” alone. Then Keith Emerson returned from the pub – and Lake had an idea.

With the new ’57th and 9th,’ Sting makes a welcome return to a more rock-rooted style after a period away from the genre.