Bryan Adams Finally Established His Own Identity With ‘Cuts Like a Knife’
Released today in 1983 amid a surge of New Wave, Bryan Adams’ third album proved there will always be an audience for real music recorded by real people.
Released today in 1983 amid a surge of New Wave, Bryan Adams’ third album proved there will always be an audience for real music recorded by real people.
Cobbling together something new from things old is not a Jeff Parker invention. But his unique take on this approach makes ‘Suite For Max Brown’ so much more accessible.
Chicago’s “Hard Habit to Break” was the promise of great things yet to come, but unfortunately that was never fully realized.
By the end of La Tonya Hall’s ‘Say Yes,’ I realized I’d listened to something wholly original yet totally satisfying.
Marillion’s ‘With Friends From the Orchestra’ is the sound of a band still bravely sticking out from the mainstream music scene.
It’s too bad Yes has never played this song in concert. “Spirit of Survival” works on every level.
Preston Frazier’s Best of 2019 Rock and R&B includes Black Pumas, Alexis Evans, Ben Levin, Grupo Fantasma, Monkey House, Isaiah Sharkey, Frederico7 and others.

Ruby Turner’s voice has the ability to lift, charge emotionally and occasionally drop the listener into a void, longing for more.
Samuele Strufaldi and Tommaso Rosati’s ‘1.15 K’ is fascinating not just because of the colliding of two musical worlds, but the creativity that went into it.
Stripped of the drum and bass programs and the army of synthesizers, Chicago’s “We Can Stop the Hurtin’” would still be a great song.