Tatsuya Nakatani + Shane Parish – ‘Interactivity’ (2020)
There’s so much ingenuity and telepathy on Tatsuya Nakatani and Shane Parish’s ‘Interactivity,’ it’s easy to forget this is merely an acoustic guitar and some percussion.
There’s so much ingenuity and telepathy on Tatsuya Nakatani and Shane Parish’s ‘Interactivity,’ it’s easy to forget this is merely an acoustic guitar and some percussion.
This event serves as Part 2 of Ozomatli’s Worldwide Quarantine Block Party, and will be presented in conjunction with the non-profit House of Blues Music Forward Foundation.
Blue-collar rock with brains, filtered through a rather punky vibe, ‘Not Changing’ reveals the heart, soul and mind of Jim Basnight.
There are so many unaccompanied piano records from Matthew Shipp, it’s fair to wonder if it just gets redundant after a while. But they don’t.
Yes, it was bold, but this remake of “25 or 6 to 4” update ranks up there as one of my all-time favorite Chicago guilty pleasures.
Think of ‘Joy’ by Electric Simcha as Jewish party music for the punk set.
“Who’s your favorite Beatle?” It’s something I am fond of asking.
Here is the premiere of György Ligeti’s “Fanfares,” as performed by Brian Krock’s Big Heart Machine jazz orchestra.
Here is the premiere of the song “Root” by jazz pianist Christina Galisatus.
Released 40 years ago this month, Pete Townshend’s ‘Empty Glass’ was so intense and bittersweet that, for a while, I didn’t have the strength to revisit it.