Yes, “Don’t Take No For an Answer” from ‘Fly From Here: Return Trip’ (2018): YESterdays
Yes included a completely new song when they returned to ‘Fly From Here’ in 2018, but I wouldn’t recommend buying it just for “Don’t Take No For an Answer.”
Yes included a completely new song when they returned to ‘Fly From Here’ in 2018, but I wouldn’t recommend buying it just for “Don’t Take No For an Answer.”
Another of Jason Scheff’s well-written masterpieces, “We Can Last Forever” makes me appreciate his tenure in Chicago even more.
Canned Heat creates a swampy vibe again on “Let’s Work Together” while William Shatner does a competent sing-speak to create some good, joyous fun.
If you weren’t aware of the copyright date of ‘Diamond Hands,’ you could easily be hoodwinked into thinking it is a long lost George Harrison project.
Steve Porcaro’s programming and synth wizardry and Simon Phillips’ engineering are what makes this weird yet enjoyable Toto song so interesting.
Rick Wakeman’s ‘The Red Planet’ is a grand musical gesture that descends slowly on analog winds and is buoyed by a progressive rock ‘n’ roll parachute.
Alex Jordan’s ‘The Subtle Exhibitionist’ is a dazzling debut from an artist whose spirited music is primed to make a major impact.
Artificial drum beats are all that prevent “I Stand Up” from fitting right into 1972’s ‘Chicago V’ or 1974’s ‘Chicago VII.’
Preston Frazier’s Best of 2020 (So Far) includes standout recordings from Rick Wakeman, Brownout, David Sancious, Nick Finzer, Susie Blue and others.
Quincy has returned with a highly enjoyable set of songs that rank as a sensible extension to the unfulfilled promise of their debut album.