Zigaboo Modeliste discusses how his celebratory writing style has continued to grow, and why he never expected one of the Meters’ most memorable sides to see wide release.
“If there is a 13th wonder,” fellow Meters co-founder George Porter Jr. once said of Zigaboo Modeliste, “then he is it.”
Rebirth Brass Band comes out hotter than a pistol on “Shrimp and Gumbo,” another in the long line of lip-smacking New Orleans songs about food, yet there remains an underlying theme of musicianship. You May Also Like: Canadian Brass – ‘Canadiana’ (2022)
New Life arrived amidst much anticipation of something in keeping with drummer Zigaboo Modeliste’s mythically groovetastic tenure with the Meters. And, bless him, I got it. But that wasn’t all. Take the title track. “New Life” doesn’t mimic the expected grease-fire funk of his old band, so much as forcablyRead More
From the first honking strains of Roger Lewis’ sax on “The Treme Song,” amidst a howling group of happy singers led by David Montana and Fred Johnson Jr., the intentions of Treme Traditions are clear: Party. This album is like a street parade crammed inside of a shiny disc, courtesyRead More
Putting together a luxe coffee-table book honoring the city of his birth clearly got Irvin Mayfield in a nostalgic mood. You May Also Like: The Blind Boys of Alabama’s Down in New Orleans added a new musical wrinkle New Orleans at 300: In Search of Jazz
Delfeayo Marsalis talks about working with his brothers, even while he established his own musical philosophy away from them.
Bill Summers shares thoughts on a new album, his rejuvenated collaboration with Irvin Mayfield and some of those classic Headhunters sides.
We’ve heard this all before, right? Not exactly: The New Orleans-based Pat Casey opens the second of two interpretations of Herbie Hancock tunes with a gurgling bass before Rex Gregory and Ashlin Parker join in with on sax and trumpet, respectively, to restate the swinging, salacious, but by now unfortunatelyRead More
Where’d saxophonist Chris West get this groove? The undulating downtown streets of New Orleans, of course. Sassy and just plain nasty at times, “Where I Got This Groove” is like a sweat-soaked traipse across that city’s legendary Vieux Carre’. They start with drummer Justin Amaral’s slapping second-line groove, then addRead More
