After the Storm by Satoko Fujii Orchestra Kobe It’s hard, I’d imagine, to maintain one jazz orchestra, much less the half dozen or so that composer, bandleader and pianist Satoko Fujii does. As successful as she’s been in consistently assembling high-end talent into these astonishingly creative ensembles to realize herRead More

The Satoko Fujii Quartet’s ‘Burning Wick’ brings the hard punch of a rock-minded rhythm section to vanguard jazz.

The placidity Natsuki Tamura and Satoko Fujii opted for with ‘Ki’ reveals the other characteristics of a couple whose talent and creativity knows no bounds.

Satoko Fujii returns with ‘Message’ to lead her This Is It! trio that’s been as exciting to hear than anything she’s led in recent years.

‘What Happened There?’ has much unpredictable, provocative and instinctual playing from the first encounter between Keiji Haino and Natsuki Tamura, two of Japan’s foremost musical firebrands.

A band that pairs a Fender Rhodes player with a pianist and no bass perhaps shouldn’t work, but with sheer flair that not only overcome that challenge, Kira Kira utterly thrives in it.

‘Dog Days of Summer’ might be called “jazz-rock,” but like anything else Satoko Fujii undertakes, she does jazz-rock on her own, uncompromising terms.

The highly improvisational quartet Kaze makes their first 100% improvisation record ‘Unwritten’ and it’s just as unconventionally delightful as they are with written pieces.

Seven albums in, the Kaze concept shows no sign of going stale. Every time out they freshen that concept in ingenious ways and ‘Crustal Movement’ with Ikue Mori returning is their most audacious undertaking yet.

Satoko Fujii’s genius can be difficult to encapsulate on a single record. We may finally have a good starting point with ‘Hyaku: One Hundred Dreams.’