Microtonal jazz has been explored for a while, but with ‘Hemlocks, Peacocks,’ Will Mason finds innovative ways to scale its limitless potential.

Fifty years on, Patrice Rushen’s ‘Prelusion’ continues to be more than some artifact of its time, it’s the auspicious introduction of a precocious, enormous talent

Jazz is supposed to be the music of discovery, and ‘Wood Blues’ captures the free jazz quartet [ahmed] in the very act of discovery.

‘Eyes On The Horizon’ celebrates the pupil as much as former mentor Wadada Leo Smith, as Joe Fonda since set on a path that’s led him to the company of the best in highly creative, highly improvised jazz.

Preston Frazier’s 2024 Best of Jazz list includes Madeleine Peyroux, Nick Finzer, Bobby Broom, Chris Greene, Rachel Z and Jun Iida, among others.

The concept of making creative music solely with four reeded horns isn’t a new one but under Ivo Perelman’s direction, the concept has been thoroughly refreshed.

Peter Van Huffel gets with the German Kneer and the Greek Dimitriades in a combo that cuts across different countries, cultures and backgrounds to find a common vision in improvised music.

The James McGowan Ensemble’s ‘Reaching Out’ is a blend of powerful solos, cleverly arranged ensemble work, and rich sound that’s uplifting and satisfying.

Emily Remler’s string of records during her short lifetime revealed an astonishing, groundbreaking guitar talent but didn’t reveal how that talent translated to the stage. ‘Cookin’ At The Queens, Live In Las Vegas 1984 & 1988′ at long last rectifies that.

Colombian jazz guitarist and composer Juan Dhas joined Preston Frazier for a deep dive into his new album, ‘Aether.’