‘Inimitable’ is an intimate solo acoustic bass recording where Michael Bisio seemed to have plowed ahead and played with a lot of heart and instinct with not too much forethought.

The deeply underrated Nancy Wilson nails the sense of hopeful anxiety that surrounds Dec. 31 every year.

‘Smoke Sessions’ is one of Nicholas Payton’s standouts because in paying homage to some of his idols, Payton does so in an offhand manner that reveals his own inimitable musical personality.

Every Burnt Sugar the Arkestra Chamber project was treated as a major work by the late Greg Tate, and with ‘Angels Over Oakanda,’ he leaves intact his legacy of leading a band of boundless imagination and chops.

Preston Frazier’s Best of 2021 jazz favorites also include terrific releases by Peter DiCarlo, Dan Wilson, Nate Smith, David Garfield and Andrew Green.

In the 45 years since Pat Metheny’s debut album arrived, I haven’t gone many weeks (if even days) without listening. Yet there are still new revelations.

Playing in the most exposed settings is a Catherine Sikora hallmark, her latest being ‘corners,’ a series of concerts by one, for one. Her fearlessness never lets her — nor the listener — down.

Take away the fussy orchestral arrangements from these vintage songs and you’re left with what made Bob James a long-time great. He still is.

Rich Halley’s ‘Boomslang’ is a mixture between of Halley-written material and group improvisations, and both approaches work equally well.

Here is the video premiere of the totally improvised piece “Zion” by piano maestro Nick Maclean.