Ivo Perelman and his all-star saxophone cohorts have rewritten the rules of the saxophone quartet with ‘(D)IVO.’

Andrew Boudreau puts the jazz world on notice his first time out with a thoughtful, fully realized quartet delight.

The return of his trio allows Mark Wade to completely rethink ideas from Wayne Shorter, Charles Mingus, Fred Hersch, Frank Kimbrough and Mikael Godee.

Tomas Fujiwara’s twin trios double the chops and double the fun with the welcome Triple Double followup, ‘March.’

FISHBLOT’s ‘small talk’ culls together music from Danny Fisher-Lochhead / Ryan Blotnick sessions that is easily relatable but impossible to categorize.

With ‘Oddly Enough,’ Gordon Grdina’s own stringed-based expedition into the works of one of current jazz’s most esoteric composers sheds yet more light on the character, shape and genius contained in these scores.

“Begin Again” asks for things to change and, typical of Archie the Goldfish’s humor, adds that good music is always consolation if they don’t.

Simon Phillips joins Preston Frazier to discuss the new album ‘Protocol V,’ key contributors from his remade band, and how it felt to get back on the road.

When left entirely to his own devices (literally), Natsuki Tamura’s imagination runs wild. With ‘Summer Tree,’ he gave himself more places for his imagination to run, thanks to multi-tracking.

Paul McCartney finally returned to the traditional pop and jazz of his youth 10 years ago this week. In more ways than one, I’m glad that he waited.