By S. Victor Aaron When Nick’s article on that badass Idris Muhammed started name-checking all the jazz heavyweights that this great dummer had been associated with, I then realized how many records with his imprint that are among some of my all time favorites. It would easy to launch intoRead More

by S. Victor Aaron My look at jazz guitar records that didn’t get their due. You May Also Like: How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus

Cannonball Adderley’s ‘Somethin’ Else’ is the lesser-known, but very worthy, companion piece to ‘Kind of Blue’ that every jazz fan should have.

We already did piano men, but they were all by underrecognized artists. Now, it’s time to look at albums by the big names that didn’t get the kudos of their better known companions, but should have: You May Also Like: Bill Evans – Time Remembered, The Life & Music ofRead More

On June 30, 2001, tenor saxophonist great Joe Henderson passed away. Among one of the giants in a crowded field of post-bop saxmen who sprang up in the fifities and sixties, Henderson nonetheless never got his due until nearly a quarter century after his superb 1963 debut Page One. YouRead More

Ray Brown is one of those underrated guys who kept on producing important work well past his so-called prime, because he remained such an in-the-pocket guy. You can’t go wrong with the old Jazz at the Philharmonic stuff, of course. But I also typically recommend his late-period work on Telarc,Read More

by S. Victor Aaron Some favorite jazz albums of mine that don’t come up at the top of anyone else’s top records list, but I thought were outstanding despite the lack of publicity about them. … You May Also Like: Jazz’s Best Last Records by John Coltrane, Eric Dolphy +Read More

by S. Victor Aaron Here, we take a look at the mighty Hammond B-3. To make it a bit challenging, no records by the organ jazz godfather Jimmy Smith will be on the list. You May Also Like: Scary Goldings, feat. John Scofield – ‘IV’ (2021) Brian Charette – OnceRead More

Branford Marsalis’ sibling producer Delfeayo said ‘Bloomington’ was the “most important concert recorded in our generation.” Thing is, he could be right.

by S. Victor Aaron Soul-jazz was never a major genre, even in its seventies heyday, but the boys from Houston who called themselves The Crusaders were doing it better than just about anyone else then…and now. You May Also Like: No related posts.