When I was told I was being sent a book of interviews with creative, inspirational musicians, I thought it might be something I might dip into now and then, leave on the shelf for a couple months and re-visit when I felt like a bit of inspiration. You May AlsoRead More

As we’re reminded with the just-issued Root of Things, Matthew Shipp, Michael Bisio and Whit Dickey make up one of the most formidable acoustic trios in jazz of this day and age. You May Also Like: Ivo Perelman Trio, with Matthew Shipp + Whit Dickey – ‘Garden of Jewels’ (2021)Read More

Fourteen (March 25, 2014, Pi Recordings) isn’t Dan Weiss’s fourteenth record (it’s his fifth), nor is it the number of tracks on the album, nor does it pertain to the year it’s out (as in “’14”). You May Also Like: Dan Weiss Starebaby – ‘Natural Selection’ (2020) Dan Weiss TrioRead More

Matt Newton’s refreshingly modern take on jazz music is what makes Within Reach such an amiable, lovely recording. This is the follow-up to the Toronto-based pianist’s acclaimed debut Push and stands both as a statement of intent and an indication of progress. You May Also Like: Jeff Oster – ‘Reach’Read More

The pianist, composer, conductor and ethnomusicologist Mehmet Ali Sanlikol knows a lot about music from around the world, be that British prog rock or traditional Ottoman music that’s connected to this Bursa, Turkey native’s ancestry. But he fell in love with jazz as a teen You May Also Like: AliRead More

Rob Mazurek and Chad Taylor’s deft application of lo-fi electronics to out-jazz has been celebrated here a few times, and Locus, their second release as the Chicago Underground Duo with Northern Spy Records, is another reason to celebrate. You May Also Like: Hearts & Minds – ‘Illuminescence’ (2025) Chad TaylorRead More

As I listen to pianist Matthew Shipp’s latest release, there’s a part of me that finds it difficult to not be unduly influenced by the knowledge that Shipp thinks that Stanley Crouch is a horse’s ass. That influence is hard to ignore, since one of the qualities of Shipp’s pronouncementsRead More

The first-call acoustic bass player best known in five words or less as “Branford Marsalis’ bassist since forever” is preparing to release his own led-date In Memory of Things Yet Seen (March 25, 2014, Clean Feed Records). You May Also Like: Eric Revis – Sing Me Some Cry (2017)

The classically trained, Croatian born pianist Matija Dedic’ certainly wears his Euro-classical heritage on his sleeve, and why not? You May Also Like: No related posts.

Sometimes, it’s all about Ornette. On the whole, 80/81 comfortably visits “out” material and more straight ahead jazz, with a healthy introduction to Pat’s idea of “folk jazz.” Some of the glue that holds all of this together is the influence of Ornette Coleman. You May Also Like: Why YouRead More