by S. Victor Aaron It could be argued that Houston, Texas is one of the major gestation points for smooth jazz sax stars. Ronnie Laws and Kirk Whalum came from what Laws calls the Bayou City of the Future. Also, let’s not forget that Wilton Felder, Joe Sample and theRead More

Things could be looking up for Grace Potter & The Nocturnals. by Pico It’s been a whole three months since we last discussed a batch of sparkling new releases that are targeted for wider audiences. That’s such a long span that a few of the half dozen records yakked aboutRead More

Multiple personality disorder is considered an affliction among the mentally disabled, but when it comes to the artistry of that unquenchable, multidimensional guitarist Nels Cline, it’s the very thing that makes him such an unpredictably compelling musician. Each time I’ve audited a new record of his, like his celebration ofRead More

photo: Kyle Ober by Pico It’s catch up time again. In what is becoming a frequent tradition for me on Something Else, I’m taking a batch of CD’s and doing pocket reviews on them, in order to get you all caught up on what’s been getting the spins lately. WhereasRead More

Fusion guitar big dog Allan Holdsworth has been in a number of notable bands: The Soft Machine, Gong, UK, Level 42…but the brief, mid-seventies stint he had in Tony Williams’ reconstituted Lifetime band have made up some of the fondest memories for him. About a decade ago, he honored hisRead More

Like the best Herbie Hancock ballads, “Butterfly” has inner complexity, outer beauty, – and a little mysteriousness.

by S. Victor Aaron When I heard Joe Higham’s wonderfully diverse world fusion treat Where Are We Now? last year, I became suspicious that the Low Countries might be a magnet for out-the-box thinking for jazz players. Listening to Eric Vloeimans and his Gatecrash’s new release Heavensabove! just confirmed thoseRead More

by S. Victor Aaron These days, there’s very little in the way of positive vibes coming out of Venezuela to the U.S., so to balance things out, I’m going to offer up one: Otmaro Ruiz. Ruiz hails from Caracas, but his muse—not to mention his abilities on piano—brought him toRead More

by S. Victor Aaron Last Tuesday, HighNote Records furnished two new CD’s, each by established veterans of the jazz scene. Look on the back of just about any classic Blue Note album from the 60s, and you’re likely to see Joe Chambers’ name listed as the drummer. And while there’sRead More

On Monday night, drumming great Steve Reid died at the age of sixty-six after a battle with cancer. He leaves behind a legacy that’s explicitly known by few but surely felt by many. A couple of years ago we profiled what is sadly now his last record released in hisRead More