Miles Davis pushed free-form fusion to the very limit with On the Corner
Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?
Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?
Animation’s ‘Machine Language,’ a final gift from Bob Belden, leaves no doubt that his adventurous spirit lives on. Hopefully, forever.
‘Step It Up’ is not merely a title just as ‘The Jeff Lorber Fusion’ isn’t merely a name. It’s a challenge and Lorber with Jimmy Haslip rose up to meet it.
AndersonPonty Band’s “I See You Messenger” is a meeting of the minds between two still-vibrant and visionary musicians from the ’70s.
The Audio Fidelity version of ‘Birds of Fire’ makes the Mahavishnu Orchestra’s combustible fusion jazz innovations a little more manifest.
In spite of more modern touches, no one will call ‘Groove Is King’ outdated in twenty years because of the time-honored ways it was conceived and put together.
Jon Anderson and Jean-Luc Ponty’s long-awaited collaborative CD/DVD is coming soon. We’ve got details on tour dates, too.
Simon Phillips and his Protocol collaborators have nothing to prove, yet deliver another no-holds-barred jazz fusion album.
Steve Holtje’s dark, ambient “Hunger Artist” is from a soundtrack that actually sounds like backing music for a motion picture, and helps to tell a story.
With ‘Kind of New,’ Jason Miles and Ingrid Jensen show us the fusion genius of Miles Davis while emphasizing Davis’ most critical ingredient: his attitude.