For all his eccentricities, Rahsaan Roland Kirk could be a staunchly sensitive interpreter. This terrific Bill Withers cover is but one example.

by Nick DeRiso “Come Together,” a concert first envisioned as a benefit to raise anti-violence awareness through the work of John Lennon, was scheduled to be held on Oct. 2, 2001, at New York City’s famed Radio City Music Hall. Then came Sept. 11. This rangy event, featuring recorded snippetsRead More

by Nick DeRiso Herbie Hancock almost didn’t pull off “The New Standard.” This High Concept offering from 1996 found Hancock, with varying degrees of success, adapting songs by popular artists like Peter Gabriel, The Eagles’ Don Henley, Paul Simon, The Beatles and Prince. You had to give him credit —Read More

by S. Victor Aaron James Taylor went through most of his career without putting together records that have a strong, overall theme to them. That’s changed of late: in 2006 there was a Christmas album and last year it was a live album with little accompaniment. This time out, it’sRead More

Missing in the eternal argument embodied in their 1970s lyric — Which one’s Pink? — was my idea that it was neither Roger Waters nor David Gilmour. Maybe there would have been no Pink Floyd, not really, without Richard Wright. That’s what I hear in “Live at Gdansk” with GilmourRead More

Marc Ribot is near the front of a phalanx of whack jazz axe slingers that includes Fred Frith, Henry Kaiser, and of course, good ol’ Bill Frisell. As way out his anything-goes approach goes on his solo records, he’s plenty versatile enough to play for guys as diverse as JohnRead More

photo: Catherine Stockhausen by S. Victor Aaron When I think of a drummer of one of the most familiar-sounding trios in all of jazz who is still pushing out the boundaries of the genres, Paul Motian is the first name that comes to my mind. So much so, I easilyRead More

by Pico Readers of this site are going to think that we are celebrating Father’s Day two months early because for the second time in as many days, a talented offspring of a famous father is getting the spotlight. Charlie Haden’s daughter Petra never aspired to fill her dad’s hugeRead More

by S. Victor Aaron Like Bonnie Raitt, Chris Smither is a blues-folk-rock singer who emerged from the Boston coffehouse scene of the sixties. Unlike Raitt, though, he never enjoyed the widespread success his colleague did, even when they both began recording careers in the early seventies. As a matter ofRead More

You had to wonder how much better “Louisiana 1926” would have been with someone who could really sing it. Enter Aaron Neville.