by S. Victor Aaron He looks like a young Keith Jarrett, even hums along to his piano lines a little like Jarrett, but Jacky Terrasson is defying straight comparisons to anybody. This 1993 winner of the Thelonious Monk competition can conjure the big, train-like sound of McCoy Tyner, the cerebralRead More

by S. Victor Aaron I freakin’ love the music of Miles Davis. I once named a dog “Miles Davis.” I’ve written tons about Miles Davis. Even compare most every artist who’s doing something cool and expansive to Miles Davis. And when a musician takes on a project projecting the musicRead More

by Nick DeRiso You hear Beatles songs remade by jazz musicians with notable frequency, some more successful (Jaco Pastorius‘ glorious reading of the oft-covered “Blackbird” from “Word of Mouth”; a just-right “All My Loving” on “Basie’s Beatles Bag”; Ramsey Lewis‘ underrated “Hard Day’s Night” from “Finest Hour”) than others (almostRead More

George Winston doesn’t get tangled up with nostalgia, and in so doing creates a fuller idea of just how compelling Vince Guaraldi really was.

photo: Dan Codazziby Pico This isn’t the first time we’ve featured the Rod Temperton tune made into a 1979 hit by Michael Jackson. But it bears another look, as interpreted by a completely different artist. Pianist and organist Mike LeDonne, a long established fixture in New York’s jazz arena, workedRead More

Phil Upchurch is a guitarist I’ve known about for a long time, from his stint in George Benson’s band in the late seventies. Even though he was the rhythm guitarist in a band that was fronted by one of the greatest jazz guitarists of all time, Upchurch managed to grabRead More

by Nick DeRiso An honorable, if ultimately somewhat superficial, tribute to the thing that makes Robert “Jr.” Lockwood such an important element to modern blues. Lockwood was something of a stepson to Robert Johnson. The doomed Delta bluesman would stop in to stay with Lockwood’s mother in Helena, Ark., duringRead More

by S. Victor Aaron Brooklyn-born Steve Kuhn has not only enjoyed a long and fruitful career as a pianist of acclaim, but an interesting one as well. He studied classical piano under Margaret Chaloff, who also educated other jazz pianist luminaries like Herbie Hancock and Keith Jarrett. At thirteen, heRead More

by Nick DeRiso More musical journey than greatest hits, per se, “Let It Roll” is a primer on George Harrison for those who never got past his time with Beatles — and yet a still-intriguing way to reexperience some of his best solo cuts for those who followed along afterRead More

by Nick DeRiso  This is an updated excerpt from a multi-artist piece I had published as part of the statewide Louisiana Folklife Festival’s program book in 1995. Born in 1904, Thomas Edison “Brownie” Ford would travel all over the Deep South — working as a ballad singer, bronc buster, storytellerRead More