Jeff Golub, a longtime sideman with Rod Stewart and Billy Squier, has compiled the expected all-star amalgam in this tribute to the blues stylings of The Three Kings — Albert, B.B. and Freddie. You May Also Like: No related posts.

Like the most artistically successful avanteers such as Mingus, Kirk and Braxton, the German composer, arranger and pianist Heiner Stadler fully understands, appreciates and loves the more traditional forms of jazz You May Also Like: Gregory Lewis, with Marc Ribot – Organ Monk Blue (2018)

James Brown got all of the headlines, be they for his fancy moves, his fancier suits or his brushes with the law. But the JB Horns, those great groovers who provided the punctuation to every grunt, gasp and squeal, remain an underrated element to the legend. You May Also Like:Read More

by Tom Johnson Created as a benefit for Unicef, this is a bit of a unique remix album. Bjork allowed fans, or, well, anybody, to submit their own take on her song, “Army of Me” on her official website. The best results wound up on this album. You might needRead More

The Austin, Texas-based Hickoids, a shambling, couldn’t-give-a-sh–t group of cowpunk nutjobs, cover their share of oddball Anglophile items on the new Kicking It With the Twits, out on Saustex Media in San Antonio. There’s the Stones (“Have You Seen Your Mother …”). Eno (“Needles in the Camel’s Eye”). The MoveRead More

Like an aging boxer making an heroic late-round stand, James “Superharp” Cotton brilliantly tangles on a timeless favorite from his 1960s tenure with Vanguard, giving fellow harp master Billy Branch all he can handle. You May Also Like: Jaimie Branch – Fly or Die (2017) Anteloper [Jaimie Branch + JasonRead More

Neal Morse, former frontman for Spock’s Beard, joined us for an Something Else! Sitdown in advance of the release of his long-awaited ‘Testimony 2.’

by Derrick Lord I’ll never forget my first night at a “real bar” when I turned legal. There used to be this place called Daddy Rawshucks Oyster Bar, which was the typical cool joint so common then and so rare now. No corporate logo needed. I was legal anyway butRead More

We’ve heard this all before, right? Not exactly: The New Orleans-based Pat Casey opens the second of two interpretations of Herbie Hancock tunes with a gurgling bass before Rex Gregory and Ashlin Parker join in with on sax and trumpet, respectively, to restate the swinging, salacious, but by now unfortunatelyRead More

John Oates takes us inside the love-gone-wrong beginnings of Hall and Oates “She’s Gone,” and talks about how the birth of Oates’ son sparked a standout solo track. He also laments that doo wop never gets its due, and how he remade a signature Hall and Oates hit into aRead More