Koko Taylor, a sharecropper’s daughter, crafted a five-decade hall of fame career that eventually earned her the nickname “Queen of the Blues.”

by Nick DeRiso  This is an updated excerpt from a multi-artist piece I had published as part of the statewide Louisiana Folklife Festival’s program book in 1995. Born in 1904, Thomas Edison “Brownie” Ford would travel all over the Deep South — working as a ballad singer, bronc buster, storytellerRead More

This is an updated excerpt from a multi-artist piece I had published as part of the statewide Louisiana Folklife Festival’s program book in 1995. Thomas suffered a fatal heart attack later that same year, in his hometown of Shreveport, La., ending a career that spanned seven decades: On his oldRead More

Irma Thomas, whose Louisiana legend of a voice has darkened into a more expressive place, is taking a similar career tack. The new “Simply Grand,” in fact, finds Thomas moving deeper into the emotional underpinnings of her best work at a time when safer environs would probably be more profitable.Read More

The last two Quickies were an investigation of jazz records only. We’re still hacking through some recent noteworthy jazz records of different stripes, but this time, I threw in some non-jazz right at the end. Still on a blues bent that started with coverage of Shemekia Copeland’s and Joe Bonamassa’sRead More

by Nick Deriso The Blues Foundation announced its 2009 inductees for the Blues Hall of Fame on Wednesday. Lucky us. We already love ’em: Multiple Grammy Award-winner Taj Mahal; Irma Thomas, the “Soul Queen of New Orleans”; as well as late Chicago bluesman Son Seals and the Reverend Gary Davis.Read More

by S. Victor Aaron It’s no throwaway phrase to say Shemekia Copeland was raised on the blues; her Dad Johnny Copeland established a proud tradition of quality blues as a singer, songwriter and guitarist and put out a slew of notable records in the 80’s and 90’s until his deathRead More

by Nick DeRiso Snooks Eaglin, who had been battling prostate cancer, shot to prominence on the strength of 1959’s “New Orleans Street Singer,” a record that even today is a revelation. Mostly, because it sounds nothing like Eaglin, who was as modern and as inventive and as non-traditional as theyRead More

Sam “Lightnin'” Hopkins, as always, did it in just one take – with the money upfront.

by Pico In the last year I’ve written here to first sing the praises of Sean Costello’s new We Can Get Together album, then bereave his sudden death a mere month later, and finally, recognize his album again at year-end evaluation time. And now, I’m back to discuss Sean onceRead More