By S. Victor Aaron Ten years before Wetlands, a young Cajun kid from Baton Rouge walked into a Houston studio and produced some of the most refreshingly honest rock-tinged swamp blues ever heard. Yet, one worried that Benoit would go the way of may bluesmen who’ve tasted success and eventuallyRead More

by S. Victor Aaron Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived — and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago’s famed blues clubs toRead More

Nobody plays it like Buddy, as his Living Proof testifies. by Pico This part of the Year End series is typically the shortest, and not because there’s less excellent blues and roots records than other kinds of music, but because I regrettably have little time leftover to delve into theseRead More

by Mark Saleski When I was a little kid, we used to take vacations out on Cape Cod. Back then there was a target ship anchored out in the bay, the SS James Longstreet. There was something both creepy and majestic about that ship. Of course, the boy in meRead More

by Nick DeRiso Mark “Pocket” Goldberg’s Off the Alleyway, a rootsy Americana recording with the flickering neon-soul of a blues joint, stays well away from the beaten path. His sound is as eclectic as the country’s rolling byways, bringing in low-country pedal steel, back-pew harmonizing, the nostalgic wheeze of anRead More

by Nick DeRiso News this week that Buddy Guy had been Grammy nominated for best contemporary blues album had me revisiting the scalding blisses of Living Proof. I loved it from the first solo, this sharp outburst of gnarled sexuality on “74 Years Young”: “There ain’t nothing I haven’t done,”Read More

by Mark Saleski Sometimes, the history of music is full of surprises. Another way of looking at it: I’m surprised by my own ignorance. When I think of the South and old-time music, the blues, whites, and blacks, I tend to think of the musics as being mostly separated, withRead More

Photo by Tommy Hazeltine by Mark Saleski It was many years ago, in the early 1990’s, that I had my first encounter with Ronnie Earl. He was playing at Raoul’s Roadside Attraction in Portland, Maine. I had never heard of him before but a friend of mine was sure thatRead More

Buddy Guy is a great, living blues legend who can still play guitar and sing as well as he’s always has. But his albums of late have been inconsistent. In the case of his last album, Skin Deep (2008), all the guest appearances diluted that hard-driving Chicago electric blues sound,Read More

By Nick DeRiso Otis Rush is the star-crossed guitar god, always in the right place at the wrong time. Close but no rock star. That despite his role as a principal architect of the modern Chicago blues-guitar vernacular, and a memorably emotional style of singing that echoes some of theRead More