by Nick DeRiso With “Grinding Man,” a rollicking rapscallion highlight from his Grammy nominated album with Willie “Big Eyes” Smith, we get a winking glimpse into how 97-year-old Pinetop Perkins has kept himself going all these years. You May Also Like: James Cotton, Shemekia Copeland, Gary Clark Jr. + othersRead More

You can’t fault Gregg Allman his nostalgia on ‘Low Country Blues.’ Legendarily restless, he’s still a man, and the leader of a band, that’s been through a great deal.

by Nick DeRiso Robert Johnson’s “Crossroads Blues” remains one of the most terrifying, wonder-filled songs, even if you don’t know the oft-told tale of how the doomed Mississippi bluesman became so proficient so quickly at playing his guitar. It’s one of the reasons that, despite the brevity of his timeRead More

by S. Victor Aaron I know no one will believe it, but a couple of weeks ago I heard Muddy Waters’ 1948 classic recording of his first hit “I Can’t Be Satisfied” for the first time in a while and decided then and there that it needed the One TrackRead More

by Nick DeRiso Big Apple Blues came by this vintage sound honestly. They put down tracks for Brooklyn Blues in an old hometown studio, Excello Recording, playing live before analog equipment on throwback instruments. Then they picked out a series of cuts by giants of the genre. Included on thisRead More

By S. Victor Aaron Ten years before Wetlands, a young Cajun kid from Baton Rouge walked into a Houston studio and produced some of the most refreshingly honest rock-tinged swamp blues ever heard. Yet, one worried that Benoit would go the way of may bluesmen who’ve tasted success and eventuallyRead More

by S. Victor Aaron Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived — and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago’s famed blues clubs toRead More

Nobody plays it like Buddy, as his Living Proof testifies. by Pico This part of the Year End series is typically the shortest, and not because there’s less excellent blues and roots records than other kinds of music, but because I regrettably have little time leftover to delve into theseRead More

by Mark Saleski When I was a little kid, we used to take vacations out on Cape Cod. Back then there was a target ship anchored out in the bay, the SS James Longstreet. There was something both creepy and majestic about that ship. Of course, the boy in meRead More

by Nick DeRiso Mark “Pocket” Goldberg’s Off the Alleyway, a rootsy Americana recording with the flickering neon-soul of a blues joint, stays well away from the beaten path. His sound is as eclectic as the country’s rolling byways, bringing in low-country pedal steel, back-pew harmonizing, the nostalgic wheeze of anRead More