Adrian Belew has worked with Frank Zappa, the Talking Heads, the (wonderful!) Bears and, of course, with King Crimson – but this is his one-man show.

A re-imagined and expanded update of Tomorrow’s classic debut from stalwart Yes guitarist Steve Howe toughens their psych-rock groove.

To almost quote the great Nick Lowe, the new album from Agony Street is Pure Pop for Always Now People.

Prog Collective’s ‘Seeking Peace’ wobbles and rolls through melodic twists and turns, avoiding many of the current cliches of neo-progressive rock.

Ashley Davies’ new album is a grand piece of mostly instrumental music that searches for gold and somehow manages to deliver melodic mythological mystery.

This well-recorded 2022 concert from the Bath Forum finds Peter Hammill and Van Der Graaf Generator in superb vocal and instrumental form.

Thomas Truax’s ‘Dream Catching Songs’ thrillingly spins with gadgets, weird combustions, Budgie the drummer, urgent electric guitar and the odd idea or two.

Jon Symon’s Warlock proved over three criminally under-appreciated early-’80s albums that Claude Debussy was right when he said “music is the space between notes.”

British experimental band Szun Waves scours dark sonic corners for melodic human hope on ‘Earth Patterns’ – and that’s a tough thing to do.

The Beths’ ‘Expert in a Dying Field’ pulses with late ’70s new wave clever electric pop, all the way from New Zealand.