By day, Mike Prigodich works at a software company, though as a kid he dreamt of becoming a professional jazz musician. It might have ended right there, but for a bout with cancer that began in November 2008. Inspired by the post-diagnosis successes of Lance Armstrong, with whom he sharedRead More

A Michael Jackson hit rejiggered as a blues, by a Canadian. It’s enough to make your head hurt. But in a good way. You May Also Like: Disaster Relief and Thornetta Davis, “How I Feel / Not So Scared of You” (2021): One Track Mind David Crosby, “Amelia” from ‘SkyRead More

Last year we introduced a really good avanteer to this site in Rich Halley, a lively and imaginative saxophonist and composer who would probably be more of a household name if he were in Chicago or New York instead of Portland, Oregon. You May Also Like: Rich Halley 5 –Read More

Taking in the first solo steps by a budding jazz talent is usually an excursion into a fresh new discovery. Most of time, these performances are polished and if there are originals, they can be surprisingly well developed You May Also Like: Marquis Hill – The Way We Play (2016)Read More

by Fred Phillips For a guy that once told me in an interview that he couldn’t seem to make everyone happy with his mix of blues and rock, Kenny Wayne Shepherd has done pretty well for himself. You May Also Like: No related posts.

An interesting recording from a period in which Lee Konitz wasn’t always all that interesting. You May Also Like: Lucas Lee – ‘Lowered Expectations’ (2018)

On “Willie Dixon’s Gone,” one of two originals on George Thorogood & The Destroyers’ brand new 2120 South Michigan Ave. album, George sings, “rock is inside my head but blues is in my heart,” and that nicely sums up the music of his entire career. Here we are in 2011,Read More

There are these moments, throughout the fiery emotional aftermath of “Ashes Ashes,” where Katie Costello gives herself over to the lyric, and the sound is like a hot wind rushing past and out into the world. You May Also Like: No related posts.

by Mark Saleski I am shocked to say that this recording left me cold. Shocked because it’s got Abdullah Ibrahim on it! There certainly are some great moments, such as the solo piano opening track (“Green Kalahari”) and the sprightly “Mandela”; come on, the melody is played on the irresistibleRead More

Listening to the guitarist Aram Bajakian is lot like listening to Marc Ribot, and Aram follows much of Ribot’s wildly divergent style that incorporates the vintage forms of swing, punk and rock and roll into a fresh and daring style. So it’s fair to state that if you like Ribot,Read More