NICK DERISO: Recorded live at Montreal’s Rising Sun Club in January 1977, and later reissued by Just a Memory Records in ’99, “Hoochie Coochie Man” stands as one of the last testaments to the Gospel of Muddy. He was the bridge between country and city cool, an urban griot withRead More

It’s one of those Isaac Hayes shut-your-mouth moments. I’m talking about the news that Hayes, at 65, had passed. He was a renaissance man in gold chains, a composer and arranger unafraid of style. He’d wear sunglasses the size of milk saucers while directing a room full of musicians onRead More

by Pico Jazz fusion records from the 1974 time frame are almost always going to fall into one of two categories: a few that are truly great but overly familiar, or, more frequently, simply forgettable. Transitory by Pork Pie is a unique one from that period in that it’s bothRead More

NICK DERISO: Asleep at the Wheel has ensured that Texas swing music is no museum piece. In fact, they can be downright postmodern — recording, on occasion, with the likes of Manhattan Transfer and the Squirrel Nut Zippers, while paying tribute to Lone Star musical legend Bob Wills. A niftyRead More

No serious conversation about old school funk-jazz can leave out this gem. “Always There” is a essentially a two chord vamp, but damn, it’s a two-chord vamp that hits squarely in the center of funk’s sweet spot. The song’s co-creator Ronnie Laws spent the first half the seventies lending hisRead More

So far we’ve covered Canadians and children’s music but we haven’t yet covered Canadians doing children’s music. Until now, that is. Recently I was driving my eleven-year-old daughter to school and in a fit of nostalgia, she wanted to listen to the old Raffi record in the car’s CD changer.Read More

NICK DERISO: Pianist Les McCann is something like a lesser Horace Silver — somebody with a soulful, bluesy delivery who often strayed a step too far into pop. This release showed why: Despite its many joys, a fat electric bass gave the CD an unwanted fusion-y feel — in particular,Read More

Long before I was able to digest the epic, twenty-five minute meandering noodlings of Dicky Betts and Duane Allman, I deeply dug the Allman Brothers’ “Melissa.” It’s a wistful, country-flavored ballad that was easy to learn how to play on a beat-up Yamaha acoustic guitar, and since it was oneRead More

by S. Victor Aaron Last month Al Green released a new album, Lay It Down, which I’d recommend to any fan of pure, old-school soul. Later this month Chicago’s Stone Of Sisyphus, originally record in 1993, will finally be officially released. But twenty years even before that was taped, bothRead More

by S. Victor Aaron Most of the times that I choose a song for this here “One Track Mind” series is because the song simply sounds good to me. Then I’ll dive into my spiel as to why it does. Today’s OTM has it’s own intrinsic virtues, too, but itRead More