Accordion … rock? Yes, accordion rock. Not novelty tunes, polka, zydeco or silly remakes. Let’s look back on times when the accordion played a key role.

The Florida-based JJ Grey and Mofro return to make an absolutely heavenly, cross-pollinated racket — like a bourbon tabernacle hootenanny.

Sure, Marilyn Manson has a new record out, and we plan to get to it eventually. But first let’s recognize just how good ‘Mechanical Animals’ was.

Drum maestro Andrew Drury provides an advance listen to his dynamic upcoming quartet album ‘Content Provider’ with the leadoff track ‘Keep The Fool.”

Sleater-Kinney’s ‘No Cities to Love’ is a set of 10 sharp daggers, clocking in at just a little over 30 minutes and leaving the place a damn wreck.

After a lengthy layoff, the reformulated King Crimson is planning a second tour — and, Tony Levin says, eyeing the possibility to creating new music.

Randy Bachman catches a flinty blues-rock groove in the muscular trio style of the late 1960s. A guitar battle with Peter Frampton then ups the ante.

Here is a review of Gov’t Mule’s first encounter with jazz guitar great John Scofield, ‘Sco-Mule.’ This concert souvenir takes jamming to its highest level.

The brutally honest, toss-off attitude on ‘Milk and Honey’ was more in keeping with John Lennon’s solo career than the slick, celebrated ‘Double Fantasy.’

Chris Smither offers a stripped down, far more aggressive take on 1999’s “Drive You Home Again” for the ‘Signature Sounds 20th Anniversary Collection.’