Here is the premiere of Chicago drummer/composer Charles Rumback’s title track from his upcoming quintet release ‘In The new Year’.

An affectionate look at a watershed era in comedy, Douglas Tirola’s ‘Drunk Stoned Brilliant Dead’ explores the ‘National Lampoon’ empire’s peak.

In October 1982, as “Open All Night” arrived on ‘H20,’ Hall and Oates were tending toward mechanization and goofy videos. Not here.

Initially, it might have been difficult to imagine a three-minute acoustic Yes track having such an impact. Then Steve Howe begins playing “Clap.”

How things have changed since my last Kitty La Roar gig. Paired now with Nick Shankland and Benet McLean, she has an even greater depth.

“I kinda love all the albums,” Genesis guitarist Steve Hackett allows, before finally deciding on one released in October 1973.

Listening again, it becomes obvious the Bay City Rollers were one of the most underrated and misunderstood bands of the 1970s.

John Oates accidentally found a new sound that helped shape the lead single from Hall and Oates’ ‘Big Bam Boom,’ released on October 12, 1984.

‘Black Light’ shows the still-vital John McLaughlin with the help of his spirited band the 4th Dimension incrementally pushing his craft forward.

When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.