Wilco keyboard player Mikael Jorgensen transformed Kuhl’s Euro-pop song “Wave (of Dreams)” into something move-inducing and a little intriguing as well.

Reissuing ‘Tug of War’ and ‘Pipes of Peace’ simultaneously poses an intriguing question: Is Paul McCartney inviting us to compare and contrast?

Geared to keep the listener interested, the City Views’ engaging self-titled new EP ripples, romps and rustles.

When Bruce Springsteen issued ‘The River’ in October of 1980, I didn’t like it very much. Time has changed that – and here’s why.

Pridgen plays tricky odd-metered rhythms, Laswell’s formidable bass sets the parameters for the melody and Sopko goes balls-out free to push over the ledge a performance already on the edge.

‘Mystery to Me,’ released this week in 1973, included a standout moment that pointed the way to Fleetwood Mac’s charttopping promised land.

‘The Pale Emperor,’ more than any from Marilyn Manson in the intervening years, seems like the natural successor to ‘Mechanical Animals.’

Warren Zevon’s one-off collaboration with members of R.E.M. in the Hindu Love Gods was filled with comfy cover tunes. But one of them stood out.

‘Tug of War,’ an album that chronicled Paul McCartney’s journey from fond reminiscing to grief to artistic rebirth, has aged well.

Billy Sherwood recently found himself in a position that was both enviable and deeply sad: Replacing his mentor Chris Squire in Yes.