‘Miles and Quincy: Live at Montreux’ arrived 25 years ago as an unexpected celebration of Miles Davis’ fertile relationship with Gil Evans.

Harriet Tubman continues with the lofty ideas found on 2017’s ‘Araminta,’ and one ups it with deeper experimentations into rhythms.

On this date 10 years ago, Jon Larsen set out to put Zappa drummer Jimmy Carl Black back in the spotlight not just a musician, but as a person.

Jeremy Morris embraces another wide array of sonic expressions on his latest inspired endeavor, ‘Dulcimer Dance.’

Set free from the boundaries of his own fame, Paul McCartney flourished on the Fireman’s ‘Electric Arguments,’ issued 10 years ago today.

Bill Champlin and Chicago gave “Rudolph the Red-Nosed Reindeer” the breath of fresh air needed to make this over-exposed holiday classic listenable again.

The Allman Brothers Band’s half century-old song about timeless heartache and the drowning of one’s sorrows has captured the blues-rocking imagination of a new generation.

Ryan A. Miller’s ‘Atrophy Torque Fly’ thrives in its uniqueness.

“Blackeye,” a bonus cut from Toto’s ‘Tambu’ era, sounds as if it was intended for a Tina Turner album.

There is a deep understanding here between Peter Brotzmann and Heather Leigh, even more so than on their previous collaboration.