Chicago, “Mama Take” from ‘Chicago 13’ (1979): Saturdays in the Park
Nothing on ‘Chicago 13’ really reaches for greatness — but “Mama Take” at least makes a struggling grasp for mediocrity.
Nothing on ‘Chicago 13’ really reaches for greatness — but “Mama Take” at least makes a struggling grasp for mediocrity.

What’s still amazing, 20 years later, is that Mike Keneally’s “Draconian Blump” doesn’t feature a bunch of seasoned musicians – rather than just one.

Though the lineup changed for ‘Harder On the Outside,’ daring and creativity has been the constant of Jon Lundbom and Big Five Chord for its 15-year existence.

Celebrate Warren Zevon’s birth on January 24, 1947 with a look back at a handful late-period classics.

James Brandon Lewis summons the ghosts of Ornette Coleman and Charlie Haden to inspire him to think differently about his art.
Before, Stryper had been too squeaky-clean, too “pretty” for metal. ‘Against the Law’ didn’t have that problem.

The third segment of the Jamie Saft/Steve Swallow/Bobby Previte collaboration is also their third time trying out something new.
While it took a little longer to finally see the light of day, Toto’s “Last Night” was well worth the wait.

This constitutes the most significant addition in a very long time to the catalog of – and insight into – the brilliant but enigmatic Eric Dolphy.

If there’s a template for the way to evolve gracefully, it might belong to Soilwork.