Annihilator – ‘Ballistic, Sadistic’ (2020)
Is Annihilator’s ‘Ballistic, Sadistic’ a little one-note? Sure. But it’s a very good note.
Is Annihilator’s ‘Ballistic, Sadistic’ a little one-note? Sure. But it’s a very good note.
David Cross and an all-star cast of King Crimson and Yes alumni build something brilliant from a collaboration with the late Peter Banks.
Here is the streaming premiere of “Batida” by the re-formed Chicago Underground Quartet.
Satoko Fujii doesn’t play an instrument in her orchestra; she conducts it. Still, there is hardly a more accurate manifestation of her genius artistry.
This is one of the strongest covers on 2002’s ‘Through the Looking Glass.’ Too bad Toto didn’t consider an all-instrumental album.
Susanne Ortner’s journey to New Orleans was partly due to her seeking “Sehnsucht,” a German word for yearning or wistful longing.
State Cows, often referred to as yacht rock, is an example of why musical labels are such a disservice.
The thing that still leaves me scratching my head: How come Chicago never released “Remember the Feeling” as a single?
Issued 10 years ago this month, ‘Orchestrion’ found Pat Metheny improvising over sounds produced through an intriguing 19th-century contraption.
‘Gowanus Sessions II’ is the long-awaited second part of an epic improv recording session from Thollem McDonas, William Parker and Nels Cline.