Black Country Communion may not invented any new formulas but they are executing the old ones closer to perfection than anyone else.

by Mark Saleski I have to purchase my Peter Brötzmann only very occasionally because it takes a while to get over the blatant intensity. Recorded at the Molde International Jazz Festival, this is really what European improvised jazz is all about. Well, maybe not all, but certainly a side ofRead More

There aren’t a whole lot of lyrics to this Steely Dan song, but I’ve never been quite able to decipher them. No one else seems to be too sure what they mean, either.

by Tom Johnson This trio is basically Bill Frisell’s home away from home, it seems. If he’s not putting out his own solo album, it seems like you can almost count on something from this trio sooner or later, where he indulges his more straight-ahead jazz tendencies. The joy inRead More

Americana singer-songwriter Mike McGuire travels a land of heavy weather, echoing church bells, sad tales and long memories. But he never lets go of the one thing that binds us together: Faith, in ourselves, in our future paths, in our country. It’s something that adds a sustaining power to BeyondRead More

Like an aging boxer making an heroic late-round stand, James “Superharp” Cotton brilliantly tangles on a timeless favorite from his 1960s tenure with Vanguard, giving fellow harp master Billy Branch all he can handle. You May Also Like: Jaimie Branch – Fly or Die (2017) Anteloper [Jaimie Branch + JasonRead More

I know what I like, but you won’t find me setting any rules. This is as close to a “philosophy of music” as you’re going to get out of me. That idea has been the driving force behind most of the stuff I write about, especially when there’s “musical evangelism”Read More

Israeli-born guitarist Roni Ben-Hur and Brazlian-born bassist Nilson Matta head a date with percussionist Café (another Brazilian) and American drummer Victor Lewis in tow, called Mojave. While the title might conjure up images of the American Southwest, pay closer attention to the native country of both the bass player andRead More

“Midnight in Harlem” is the sweet-swaying centerpiece of an all-you-can-eat buffet of deep-fried delights called Revelator. You May Also Like: Susan Tedeschi’s Varied ‘Back to the River’ Set the Stage for Greatness Derek Trucks Band’s ‘Already Free’ Gave Us a Fine-Tuned, Intimate Farewell

On Tuesday, the hard-rock supergroup Black Country Communion’s 2 drops, and you best believe it’s gonna get the SER Lowdown You May Also Like: How Black Country Communion’s Debut Brought Back ’70s-Style Hard Rock